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Culture of Isla de Tenerife


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and invented the technique known as decalcomania.

Sculpture

The arrival from Seville of Martín de Andújar Cantos, an architect and sculptor brought new sculpting techniques of the Seville school, which were passed down to his students, including Blas García Ravelo, a native of Garachico. He had been trained by the master sculptor Juan Martínez Montañés.

Other notable sculptors from the 17th and 18th centuries include Sebastián Fernández Méndez, Lázaro González de Ocampo, José Rodríguez de la Oliva, and most importantly,Fernando Estévez, a native of La Orotava and a student of Luján Pérez. Estévez contributed an extensive collection of religious images and woodcarvings, found in numerous churches of Tenerife, such as the Principal Parish of Saint James the Great (Parroquia Matriz del Apóstol Santiago), in Los Realejos; in the Cathedral of La Laguna; the Iglesia de la Concepción in La Laguna; the basilica of Candelaria, and various churches in La Orotava.

Music

An important musician from Tenerife is Teobaldo Power y Lugo Viña, a native of Santa Cruz and a pianist and composer, and author of the Cantos Canarios. The Hymn of the Canary Islands takes its melody from the Arrorró, or Lullaby, from Power y Lugo Viña's Cantos Canarios.

Folkloric music has also flourished on the island, and, as in the rest of the islands, is characterized by the use of the Canarian Timple, the guitar, bandurria, laúd, and various percussion instruments. Local folkloric groups such as Los Sabandeños work to save Tenerife's musical forms in the face of increasing cultural pressure from the mainland.

Tenerife is the home to the types of songs called the isa, folía, tajaraste, and malagueña, which are a cross of ancient Guanche songs and those of Andalusia and Latin America.

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