creasingly influenced by the Romanesque and Southern Gothic movements. Towards the end of the 15th century, Maltese artists, like their counterparts in neighbouring Sicily, came under the influence of the School of Antonello da Messina, which introduced Renaissance ideals and concepts to the decorative arts in Malta.
The artistic heritage of Malta blossomed under the Knights of St. John, who brought Italian and Flemish Mannerist painters to decorate their palaces and the churches of these islands, most notably, Matteo Perez d'Aleccio, whose works appear in the Magisterial Palace and in the Conventual Church of St. John in Valletta, and Filippo Paladini, who was active in Malta from 1590 to 1595. For many years, Mannerism continued to inform the tastes and ideals of local Maltese artists.
The arrival in Malta of Caravaggio, who painted at least seven works during his 15-month stay on these islands, further revolutionized local art. Two of Caravaggio's most notable works, The Beheading of Saint John the Baptist and Saint Jerome Writing, are on display in the Oratory of the Conventual Church of St. John. His legacy is evident in the works of local artists Giulio Cassarino (1582–1637) and Stefano Erardi (1630–1716). However, the Baroque movement that followed was destined to have the most enduring impact on Maltese art and architecture. The glorious vault paintings of the celebrated Calabrese artist, Mattia Preti transformed the severe, Mannerist interior of the Conventual Church St. John into a Baroque masterpiece. Preti spent the last 40 years of his life in Malta, where he created many of his finest works, now on display in the Museum of Fine Arts in Valletta. During this period, local sculptor Melchior Gafà (1639–1667) emerged as one of the top Baroque sculptors of the Roman School.
During the 17th and 18th century, Neapolitan and Rococo influences emerged in the works of the Italian painters Luca Giordano (1632–1705) and Francesco
