brick-built domes rest on stone pillars and pointed arches with brick pendentives at the corners.
The silhouette of the successive pointed arches has added to the spaciousness and grandeur of the mosque interior. Corresponding to the five entrances in the east, there are five mihrabs in the west wall contained within multifoil arches. The mihrab wall shows sparse decoration within panels. The cornice and the parapet of the structure are straight. The mosque follows the Bengali type with only the prayer chamber without court, riwaq and minaret. A significant feature of the mosque interior is that a brick wall up to the level of the arch-spring has closed the bay at each end, north and south, across the middle. These are the only parts of the mosque which show terracotta ornamentation. The southern part is in a fair state of preservation and shows a panelled composition. The central panel is broken into two halves vertically by means of rosettes within square frames - the lower depicting a swinging creeper with luxuriant leaf age and the upper two half-arch motifs with a finial in the thick of shrubs and foliage. The flanking panels are similarly disposed and ornamented. All the panels depict multifoil arches with finials. The vegetal motifs betray local influence and speak of the Muslim adaptive spirit.
The ornamentation of the northern bay wall is in ruins, but surviving traces show its dissimilarity from the southern. The composition here shows two small vertical panels each containing a multifoil arch with a finial from which hangs a chain ending in a round pendant. What is significant about these bay walls is that they are completely incongruous with the mosque interior but their ornamentation resembles that in the Bagha mosque (1524) in Rajshahi district.
Only yards away to the east of the mosque, beyond an open courtyard, stand two square rooms aligned east-west side by side, the western housing two graves - those of Zafar Khan Ghazi and
