The cultures of Taiwan are a hybrid blend of various sources, incorporating elements of traditional Chinese culture, attributable to the historical and ancestry origin of the majority of its current residents, Japanese culture, traditional Confucianist beliefs, and increasingly Western values.
After their move to Taiwan, the Kuomintang imposed an official interpretation of traditional Chinese culture over Taiwan. The government launched a program promoting Chinese calligraphy, traditional Chinese painting, folk art, and Chinese opera.
The status of Taiwanese culture is debated. It is disputed whether Taiwanese culture is a regional form of Chinese culture or a distinct culture. Reflecting the continuing controversy surrounding the political status of Taiwan, politics continues to play a role in the conception and development of a Taiwanese cultural identity, especially in the prior dominant frame of a Taiwanese and Chinese dualism. In recent years, the concept of Taiwanese multiculturalism has been proposed as a relatively apolitical alternative view, which has allowed for the inclusion of mainlanders and other minority groups into the continuing re-definition of Taiwanese culture as collectively held systems of meaning and customary patterns of thought and behavior shared by the people of Taiwan. Identity politics, along with the over one hundred years of political separation from mainland China, has led to distinct traditions in many areas, including cuisine and music.
One of Taiwan's greatest attractions is the National Palace Museum, which houses more than 650,000 pieces of Chinese bronze, jade, calligraphy, painting and porcelain, and is considered one of the greatest collections of Chinese art and objects in the world. The KMT moved this collection from the Forbidden City in Beijing in 1933 and part of the collection was eventually transported to Taiwan during the Chinese Civil War. The collection, estimated to be one-tenth of China's
