usic event, formerly featuring the long-established and well-regarded Bogyiszló orchestra.
Hungarian classical music has long been an "experiment, made from Hungarian antedecents and on Hungarian soil, to create a conscious musical culture [using the] musical world of the folk song". Although the Hungarian upper class has long had cultural and political connections with the rest of Europe, leading to an influx of European musical ideas, the rural peasants maintained their own traditions such that by the end of the 19th century Hungarian composers could draw on rural peasant music to (re)create a Hungarian classical style. For example, Béla Bartók and Zoltán Kodály, two of Hungary's best known composers, used folk themes in their music. Bartók collected folk songs from across Eastern Europe, including Romania and Slovakia, whilst Kodály was more interested in creating a distinctively Hungarian musical style.
During the era of Communist rule in Hungary (1944–1989) a Song Committee scoured and censored popular music for traces of subversion and ideological impurity. Since then, however, the Hungarian music industry has begun to recover, producing successful performers in the fields of jazz such as trumpeter Rudolf Tomsits, pianist-composer Károly Binder and, in a modernized form of Hungarian folk, Ferenc Sebő and Márta Sebestyén. The three giants of Hungarian rock, Illés, Metró and Omega, remain very popular, especially Omega, which has followings in Germany and beyond as well as in Hungary. Older veteran underground bands such as Beatrice from the 1980s also remain popular.
Literature
In the earliest times Hungarian language was written in a runic-like script (although it was not used for literature purposes in the modern interpretation). The country switched to the Latin alphabet after being Christianized under the reign of Stephen I of Hungary (1000–1038).
The oldest remained written record in Hungarian
