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History of Sedona


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standard histories of the movies.

Sedona’s Hollywood legacy offers nothing less than a timeline of history—of movie making in America and the popular culture of the years that shaped it. The story begins in the silent era, when Zane Grey’s The Call of the Canyon and Kit Carson, with Joseph P. Kennedy’s doomed movie superstar Fred Thomson, were filmed in the Oak Creek Canyon area just outside Sedona proper. The 1930s saw the arrival of a dozen B westerns, including four visits from silent film idol turned talkie cowboy star George O’Brien and the only Hopalong Cassidy film ever shot outside California. The decade also saw Sedona cast in her most historically significant movie role, as the promised land of milk and honey in Der Kaiser von Kalifornien, a Nazi western designed to validate Adolf Hitler’s schemes of territorial expansion to the people of Germany.

When John Ford’s production of Stagecoach pulled into town in 1938 (a Sedona connection that has eluded historians since the film was made), it set off three solid decades of A-picture activity—forty-four features through 1973, helped along by the construction of Sedona Lodge, the only permanent boarding and production facility ever built specifically for movie crews on remote location in the United States. During those years, many of Hollywood’s biggest names were photographed in front of Sedona’s signature landscape, from Errol Flynn to Gene Tierney, John Wayne to Joan Crawford, James Stewart to Lizabeth Scott, Robert Mitchum to Elvis Presley.

Sedona — which promoted itself as "Arizona's Little Hollywood" — wasn’t only a cinematic romping ground for cowboys. In the years that followed World War II, shadows darkened the scenery to add psychological complexity to a number of early film noir dramas, like

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