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Culture of Poland


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however, the first known notable composer, Mikołaj z Radomia, was born and lived in the 15th century. During the 16th century, two main musical groups – both based in Kraków and belonging to the King and Archbishop of the Wawel – led to the rapid development of Polish music. Composers writing during this period include Wacław z Szamotuł, Mikołaj Zieleński, and Mikołaj Gomółka. Diomedes Cato, a native-born Italian who lived in Kraków from about the age of five, became one of the most famous lutenists at the court of Sigismund III, and not only imported some of the musical styles from southern Europe, but blended them with native folk music.

At the end of the 18th century, Polish classical music evolved into national forms like the polonaise. In the 19th century the most popular composers were: Józef Elsner and his pupils Fryderyk Chopin and Ignacy Dobrzyński. Important opera composers of the era were Karol Kurpiński and Stanisław Moniuszko whilst the list of famous soloists and composers included Henryk Wieniawski, Juliusz Zarębski. At the turn of the 19th and 20th centuries the most promiment composers could said to have been Władysław Zeleński and Mieczysław Karłowicz, with Karol Szymanowski gaining prominence prior to World War II. Alexandre Tansman lived in Paris but had strong connections with Poland. Henryk Górecki and Krzysztof Penderecki composed in Poland, Andrzej Panufnik emigrated.

Traditional Polish folk music has had a major effect on the works of many well-known Polish composers, and no more so than on Fryderyk Chopin, a widely recognised national hero of the arts. All of Chopin's works involve the piano and are technically demanding, emphasising nuance and expressive depth. As a great composer, Chopin invented the musical form known as the instrumental ballade and made major innovations to the piano sonata, mazurka, waltz, nocturne, polonaise, étude, impromptu and prélude, he was also the composer of a number
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