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Culture of Latvia


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Traditional Latvian folklore, especially the dance of the folk songs, date back well over a thousand years. More than 1.2 million texts and 30,000 melodies of folk songs have been identified.

Between the 13th and 19th century, Baltic Germans, many of whom were originally of non-German ancestry but had been assimilated into German culture, formed the upper class. They developed distinct cultural heritage, characterised by both Latvian and German influences. It has survived in German Baltic families to this day, in spite of their dispersal to Germany, the USA, Canada and other countries in the early 20th century. However, most indigenous Latvians did not participate in this particular cultural life. Thus, the mostly peasant local pagan heritage was preserved, partly merging with Christian traditions, for example in one of the most popular celebrations today which is Jāņi, a pagan celebration of the summer solstice, celebrated on the feast day of St. John the Baptist.

In the 19th century Latvian nationalist movements emerged promoting Latvian culture and encouraging Latvians to take part in cultural activities. The 19th century and beginning of the 20th century is often regarded as a classical era of Latvian culture. Posters show the influence of other European cultures, for example, works of artists such as the Baltic-German artist Bernhard Borchert and the French Raoul Dufy. With the onset of World War II, many Latvian artists and other members of the cultural elite fled the country yet continued to produce their work, largely for a Latvian émigré audience.

After incorporation into the Soviet Union, Latvian artists and writers were forced to follow the Socialist realism style of art. During the Soviet era, music became increasingly popular, with the most popular being songs from the 1980s. At this time, songs often made fun of the characteristics of Soviet life and were concerned about preserving Latvian identity. This aroused popular
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