iament. Later Taormina was under Spanish suzerainty, receiving the status of "city" in the 17th century.
In 1675 it was besieged by the French, who had occupied Messina. Under the Bourbons dynasty of the Kingdom of Two Sicilies, Taormina did not have a relevant role; however, it obtained an easier access when part of the Catrabico promontory was partially cut and a seaside road connecting it to Messina and Catania was created. It received also a station on the second-oldest railroad in the region. Starting from the 19th century Taormina became a popular tourist resort in the whole of Europe: people who visited Taormina include Oscar Wilde, Nicholas I of Russia, Johann Wolfgang von Goethe, Nietzsche (who here wrote his Also sprach Zarathustra), Richard Wagner and many others.
Contemporary age
In the late 19th century Taormina gained further prominence as the place where Wilhelm von Gloeden worked most of his life as a photographer of predominantly male nudes. Also credited for making Taormina popular was Otto Geleng, best known in his hometown of Berlin for his fine paintings, which he composed and painted in Italy but exhibited in Germany. What distinguishes Geleng, however, is his choice to depict the more southern regions where he captured the spectacular views and light of Sicily. He often painted the area's Greek colonial ruins, including Taormina. Taormina's first important tourist was Johann Wolfgang Goethe who dedicated exalting pages to the city in his book entitled Italian Journey, but perhaps it was Geleng’s views that made its beauty talked about throughout Europe and turned the site into a famous tourist center. The artist arrived in Sicily at the age of 20 in search of new subjects for his paintings. On his way through Taormina he was so enamoured by the landscape that he decided to stop for part of the winter. Geleng began to paint everything that Taormina offered: ruins, sea, mountains, none of which were familiar to the
