rance of the Hungarian folk dancing still celebrated in the villages.
Verbunkos: a solo man's dance evolved from the recruiting performances of the Austro-Hungarian army.
The Legényes: is a men's solo dance done by the ethnic Hungarian people living in the Kalotaszeg region of Transylvania. Although usually danced by young men, it can be also danced by older men. The dance is performed freestyle usually by one dancer at a time in front of the band. Women participate in the dance by standing in lines to the side and sing/shout verses while the men dance. Each lad does a number of points (dance phrases) typically 4 to 8 without repetition. Each point consists of 4 parts, each lasting 4 counts. The first part is usually the same for everyone (there are only a few variations).
It was in the beginning of the 18th century that the present style of Hungarian folk art took shape, incorporating both Renaissance and Baroque elements, depending on the area, as well as Persian Sassanide influences. Flowers and leaves, sometimes a bird or a spiral ornament, are the principal decorative themes. The most frequent ornament is a flower with a centerpiece resembling the eye of a peacock's feather.
Nearly all the manifestations of folk art practiced elsewhere in Europe also flourished among the Magyar peasantry at one time or another, their ceramics and textile being the most highly developed of all.
The finest achievements in their textile arts are the embroideries which vary from region to region. Those of Kalotaszeg in Transylvania are charming products of Oriental design, sewn chiefly in a single color – red, blue, or black. Soft in line, the embroideries are applied on altar cloths, pillow cases and sheets.
In Hungary proper Sárköz in Transdanubia and the Matyóföld in the Great Hungarian Plain produce the finest embroideries. In the Sárköz region the women's caps show black and white designs as delicate as lace and give evidence
