Culture of New Orleans

significant center for music, showcasing its intertwined European, Latin American, and African cultures. New Orleans' unique musical heritage was born in its pre-American and early American days from a unique blending of European instruments with African rhythms. As the only North American city to allow slaves to gather in public and play their native music (largely in Congo Square, now located within Louis Armstrong Park), New Orleans gave birth to an indigenous music: jazz. Soon, brass bands formed, gaining popular attraction that still holds today. The city's music was later significantly influenced by Acadiana, home of Cajun and Zydeco music, and Delta blues.

New Orleans' unique musical culture is further evident in its funerals. A spin on the tradition of military brass band funerals, traditional New Orleans funerals feature sad music (mostly dirges and hymns) on the way to the cemetery and happier music (hot jazz) on the way back. Such traditional musical funerals still take place when a local musician, a member of a club, krewe, or benevolent society, or a noted dignitary has passed. Until the 1990s, most locals preferred to call these "funerals with music", but visitors to the city have long dubbed them "jazz funerals".

Much later in its musical development, New Orleans was home to a distinctive brand of rhythm and blues that contributed greatly to the growth of rock and roll. An example of the New Orleans' sound in the 1960s is the #1 US hit "Chapel of Love" by the Dixie Cups, a song which knocked The Beatles out of the top spot on the Billboard Hot 100. New Orleans became a hotbed for funk music in the 1960s and 1970s, and by the late 1980s, it had developed its own localized variant of hip hop, called bounce music. While never commercially successful outside of the Deep South, it remained immensely popular in the poorer