Seychellois society is essentially matriarchal. Mothers tend to be dominant in the household, controlling most current expenditures and looking after the interests of the children. Unwed mothers are the societal norm, and the law requires fathers to support their children. Men are important for their earning ability, but their domestic role is relatively peripheral. Older women can usually count on financial support from family members living at home or contributions from the earnings of grown children.
The music of Seychelles is diverse. The folk music of the islands incorporates multiple influences in a syncretic fashion, including African rhythms, aesthetic and instrumentation—such as the zez and the bom (known in Brazil as berimbau), European contredanse, polka and mazurka, French folk and pop, sega from Mauritius and Réunion, taarab, soukous and other pan-African genres, and Polynesian, Indian and Arcadian music. A complex form of percussion music called contombley is popular, as is Moutya, a fusion of native folk rhythms with Kenyan benga.
Traditionally, despite a greater connection with Great Britain (e.g., in education, which follows the International General Certificate of Education (IGCSE), and on many aspects of the law) many foreign observers have stated that "the culture remains emphatically French" and about 70% of the population have a family name of French origin, compared with only about 20% family names of English origin. The two are often mixed, such that inhabitants receive an English first name and a French family name or vice-versa (e.g., Jean-Pierre Kingsmith)
