Malian musical traditions are derived from the griots, who are known as "Keepers of Memories". Malian music is diverse and has several different genres. Some famous Malian influences in music are kora virtouso musician Toumani Diabaté, the late roots and blues guitarist Ali Farka Touré, the Tuareg band Tinariwen, and several Afro-pop artists such as Salif Keita, the duo Amadou et Mariam, Oumou Sangare, and Habib Koité. The Dance of Mali includes many different dancing styles. As well as the music telling a story through sound, the Malian dance shows a story through series' of movements. There are dances for weddings, funerals, marriages, hunting, war, celebration, etc. Malian music and dance also tells about the major events in Mali's history, but as well as the day to day lives of its people.
Though Mali's literature is less famous than its music, Mali has always been one of Africa's liveliest intellectual centers. Mali's literary tradition is passed mainly by word of mouth, with jalis reciting or singing histories and stories known by heart. Amadou Hampâté Bâ, Mali's best-known historian, spent much of his life writing these oral traditions down for the world to remember. The best-known novel by a Malian writer is Yambo Ouologuem's Le devoir de violence, which won the 1968 Prix Renaudot but whose legacy was marred by accusations of plagiarism. Other well-known Malian writers include Baba Traoré, Modibo Sounkalo Keita, Massa Makan Diabaté, Moussa Konaté, and Fily Dabo Sissoko.
The varied everyday culture of Malians reflects the country's ethnic and geographic diversity. Most Malians wear flowing, colorful robes called boubous that are typical of West Africa. Malians frequently participate in traditional festivals, dances, and ceremonies. Rice and millet are the staples of Malian cuisine, which is heavily based on cereal grains. Grains are generally prepared with sauces made from leaves such spinach or baobab leaves, with tomato,
