Isolated yet worldly, the Nias Island chain has been trading since prehistory with other cultures, other islands, and even mainland Asia. Some historians and archaeologists have cited the local culture as one of the few remaining Megalithic cultures in existence today. While this point of view is hotly debated, there is no doubt that Nias' relative geographic isolation has created a unique culture. As a culture of traders, the people of Nias find tourists to be a welcome � and historically familiar � phenomenon.
Nias is best known for its diversity of festivals and celebration. The most well-known events are War Dances, performed regularly for tourists, and Stone Jumping, a manhood ritual that sees young men leaping over two meter stone towers to their fate. In the past the top of the stone board is covered with spikes and sharp pointed bamboo. The music of Nias, performed mostly by women, is noted worldwide for its haunting beauty.
Gunungsitoli is home to Nias's only museum, the Museum Pusaka Nias (Nias Heritage Foundation), which houses over 6000 objects related to Nias's cultural heritage. The museum had recently built a new building and had improved their storage and exhibitions when the 2004 earthquake and tsunami occurred. The museum suffered some damage to the grounds and collections, but museum staff are working to recover from this devastating event
The predominant religion is Protestant Christianity. Six out of seven Niasans are Protestant; the remainder are about evenly divided between Muslim (mostly immigrants from elsewhere in Indonesia) and Catholic. However adherence to either Christian or Muslim religions is still largely symbolic; Nias continues into current day celebrating its own indigenous culture and traditions as the primary form of spiritual expression.
The people of Nias build omo sebua houses on massive ironwood pillars with towering roofs. Not only were they almost impregnable to attack in former tribal warfare,
