ommemorate King David's phrase: "Thou shalt dash them in pieces like a potter's vessel" (Psalm 2:9).
Once the bótides commotion is over, the three bands parade the clay-strewn streets playing the famous "Graikoí" festive march. This legendary march, the anthem of the island, was composed during Venetian rule, and its lyrics urged: "Greeks, never fear, we are all enslaved: you to the Turks, we to the Venetians, but one day we shall all be free". The Venetians were replaced by the French and the French by the British, and both the lyrics and the performance of the march were officially banned. The bands, however, defiantly played it on the Eve of Easter, as a token of the resurrection of the nation, and the tradition is honored to this day.
Musical history
While much of present-day Greece was under Ottoman rule, the Ionian Islands enjoyed a Golden Age in music and opera. Corfu was the capital city of a prized Venetian colony and it benefited from a unique musical and theatrical heritage. Then in the 19th century, as a British Protectorate, Corfu developed a musical heritage of its own and which constitutes the nucleus of modern Greek musical history. Until the early 18th century, musical life took place in city and village squares, with performances of straight or musical comedies – known as Momaries or Bobaries. From 1720, Corfu became the possessor of the first theatre in post-1452 Greece. It was the Teatro San Giacomo (now the City Hall) named after the nearby Roman Catholic cathedral (completed in 1691).
Teatro di San Giacomo
In Venetian rule, the Corfiotes developed a fervent appreciation of Italian opera, which was the real source of the extraordinary (given conditions in the mainland of Greece) musical development of the island during this era. The opera house of Corfu during 18th and 19th century was that of the Nobile Teatro di San Giacomo, named after the neighbouring catholic cathedral, but the theatre
