The reports on the celebration of the carnival in the Puerto Plata date from the end of the 19th century, and the festivity was enriched at the beginning of the 20th century by the arrival of Cuban immigrants.
The central personage is the devil cojuelo, that in Puerto Plata he becomes Taimáscaro, that produces deities Taínas in its masks, with a beautiful suit where elements of the Spanish culture they are symbolized and the African essences, in multicolored tapes in its arms, and all that is complemented with the conches of the Atlantic ocean, as natural elements of identity of the town Puertoplateño.
These festivities are celebrated during the months of February and March, in the avenue of the Jetty and the streets of the city. The people are entertained by the parades of disguises, the music, the popular dances and the different demonstrations of the arts and the culture represented in the carnival that reflects our cultural identity. Each year the organizers of the carnival choose the King Momo, who represents the person of the city that has fought for maintaining its traditions. 4,2. Victorian architecture The city of Puerto Plata is characterized by its dominant Victorian style architecture, combined with various other architectural styles, giving a varied character to the process of urban development. Inside this variety is the old style related to the colonial epoch, of which remains as an example the Fortress San Felipe. Another it is the traditional style, originated when the city was founded by immigrant canarios, and of the one that the balconies are inherited, and as an example I live is the bridge of the Guinea, of the year 1879. Then developed the Victorian model, because of the French, Italian, German, English immigrations and other European countries, which began after the War Restorer and had its height to ends of the 19th century and starts of the XX. This style was utilized in dwellings and in buildings destined to social
