TravelTill

Culture of Mostar


JuteVilla
Tower dating from the medieval period, whereas the Ottoman defence edifices are represented by the Halebinovka and Tara Towers - the watchtowers on the ends of the Old Bridge, and a stretch of the ramparts.

During the period of Austro-Hungarian rule (1878–1918), Mostar’s city council cooperated with the Austro-Hungarians to implement sweeping reforms in city planning: broad avenues and an urban grid were imposed on the western bank of the Neretva, and significant investments were made in infrastructure, communications and housing. City administrators like Mustafa Mujaga Komadina were central players in these transformations, which facilitated growth and linked the eastern and western banks of the city. Noteworthy examples of Austro-Hungarian architecture include the Municipality building, which was designed by the architect Josip Vancas from Sarajevo, Residential districts around the Rondo, and the Gymnasium from 1902 designed by František Blažek.

Between 1948 and 1974 the industrial base was expanded with construction of a metal-working factory, cotton textile mills, and an aluminum plant. Skilled workers, both men and women, entered the work force and the social and demographic profile of the city was broadened dramatically; between 1945 and 1980, Mostar’s population grew from 18,000 to 100,000.

Because Mostar’s eastern bank was burdened by inadequate infrastructure, the city expanded on the western bank with the construction of large residential blocks. Local architects favored an austere modernist aesthetic, prefabrication and repetitive modules. Commercial buildings in the functionalist style appeared on the historic eastern side of the city as well, replacing more intimate timber constructions that had survived since Ottoman times. In the 1970s and 1980s, a healthy local economy fueled by foreign investment spurred recognition and conservation of the city’s cultural heritage. An economically sustainable plan to preserve the
JuteVilla